https://speculativevoicing.co.uk Speculative Voicing Thu, 28 Apr 2022 18:46:16 +0000 https://speculativevoicing.co.uk en https://speculativevoicing.co.uk/Home-Image-Scroll Thu, 28 Apr 2022 18:46:12 +0000 Speculative Voicing https://speculativevoicing.co.uk/Home-Image-Scroll <img width="2354" height="1212" width_o="2354" height_o="1212" data-src="https://freight.cargo.site/t/original/i/8ca0cf3af84fd8eb7073ac335415445de27a0742b831533b255dedc2aec05e56/Screen-Shot-2020-08-16-at-19.56.59.png" data-mid="141140147" border="0" src="https://freight.cargo.site/w/1000/i/8ca0cf3af84fd8eb7073ac335415445de27a0742b831533b255dedc2aec05e56/Screen-Shot-2020-08-16-at-19.56.59.png" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/bf6b57550db23f2a4ef1d387800163b2d24b91bbd74c56fcc1f6bf444df992ba/001_MG_3022_5000.jpeg" data-mid="141139952" border="0" src="https://freight.cargo.site/w/1000/i/bf6b57550db23f2a4ef1d387800163b2d24b91bbd74c56fcc1f6bf444df992ba/001_MG_3022_5000.jpeg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/bc9f6db6ed9d5db40383ad1e77314c49c731c9751e13f5e41bc8442a061cb6ee/Summer-School-2019.-Tate-Modern.-Photo-c-Tate-Joe-Humphrys-8.jpg" data-mid="141139989" border="0" src="https://freight.cargo.site/w/1000/i/bc9f6db6ed9d5db40383ad1e77314c49c731c9751e13f5e41bc8442a061cb6ee/Summer-School-2019.-Tate-Modern.-Photo-c-Tate-Joe-Humphrys-8.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/4cb1f114ee3882b1bc25aa74fa5ce4ab895d1d1a74aad9949820d3c0889eb2d1/YK2018_024D_0001_0914.jpg" data-mid="141176037" border="0" src="https://freight.cargo.site/w/1000/i/4cb1f114ee3882b1bc25aa74fa5ce4ab895d1d1a74aad9949820d3c0889eb2d1/YK2018_024D_0001_0914.jpg" /><img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/7604e8bdd234fa4b71390cf1885bfb52bb50bdc35721f8b4d050b65a927414e6/IMG_2228_o.jpeg" data-mid="141139947" border="0" src="https://freight.cargo.site/w/1000/i/7604e8bdd234fa4b71390cf1885bfb52bb50bdc35721f8b4d050b65a927414e6/IMG_2228_o.jpeg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d1d6539d6d8ddad61ea20b7e2ffc68d8c7fae0542ac111b967d9b52df35663e8/Summer-School-2019.-Tate-Modern.-Photo-c-Tate-Joe-Humphrys-14.jpg" data-mid="141139975" border="0" src="https://freight.cargo.site/w/1000/i/d1d6539d6d8ddad61ea20b7e2ffc68d8c7fae0542ac111b967d9b52df35663e8/Summer-School-2019.-Tate-Modern.-Photo-c-Tate-Joe-Humphrys-14.jpg" /> https://speculativevoicing.co.uk/Info Thu, 28 Apr 2022 18:46:13 +0000 Speculative Voicing https://speculativevoicing.co.uk/Info Speculative Voicing Practice-led research by Amina Abbas-Nazari Amina is a designer, researcher and vocal performer. Their work investigates intersectional and more-than-human approaches to technology and design via sonic theory and practice. Their work has been presented internationally including the London Design Festival, Design Museum, Barbican Centre, V&amp;A, Lisson Gallery London, Milan Furniture Fair, Venice Architecture Biennial, Critical Media Lab Switzerland, Litost Gallery Prague, Pedreira Portugal and Harvard University America. She has performed internationally with choirs and regularly collaborates with artists as an experimental vocalist. Amina has researched the voice in conjunction with emerging technology through practice, since 2008, as documented on this website. They completed a PhD in the School of Communication at the Royal College of Art, funded by Techne (NPIF). Their PhD research investigated the sound and sounding of voices in conversational artificially intelligent (AI) systems, such as human voice interaction with an Amazon Echo device, voiced by Alexa. It explored the social, cultural and ethical implications of AI voice profiling practices in the definition and design of human and synthesised voices, respectively - a mode of working and understanding that further perpetuates harm to already marginalised people. Using a methodology highlighting the sonic materiality of human and synthesised voices she critiqued practices of profiling while demonstrating alternative possibilities. The research was orientated from her position as a practising speculative designer and vocal performer, while tracking the motivations of a lineage of female experimental vocalists. The practice-led research stipulates that the voice taken as a material and sonic phenomenon within conversational AI systems can facilitate new forms of meaning making. By working with the voice as a design material, but treating it as though an experimental singer would, possibilities emerge to experiment with vocal potential, building dynamic relations with other matter and exploring concepts of being and identity from an ecological and social standpoint. Contextual research can be found on the Speculative Voicing Instagram Amina Abbas-Nazari‘s Archived WorkLinkedIn: /in/aminaabbasnazari/ &nbsp; Google Scholar Get in touch: Email: amina.abbas-nazari [at] network.rca.ac.uk Insta: @aminaabbasnazari <img width="1239" height="1747" width_o="1239" height_o="1747" data-src="https://freight.cargo.site/t/original/i/d721566bf12078fd954eccd6f9bf8e374460a85336633343c11cc6d13ff66989/19144024_851892870430_5563508322651589751_o.jpg" data-mid="141141684" border="0" src="https://freight.cargo.site/w/1000/i/d721566bf12078fd954eccd6f9bf8e374460a85336633343c11cc6d13ff66989/19144024_851892870430_5563508322651589751_o.jpg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SELECTED EXHBITIONS &amp;&nbsp;PERFORMANCES Exhibitions What You Will Watch and Hear, performed by Musarc, Lisson Gallery, London, 2023 The New Real AI Art Commission: Uncanny Machines with Johann Diedrick, 2023 Research Biennale, RCA, Online, 2021 Attune, Research and Waves, Online, 2020 Empathy Loading, Furtherfield Gallery x Curating Contemporary Art, RCA. Online, 2020 Le Marteau Sans Maître Concert, Musarc, Whitechapel Bell Foundry, 2020 Happy End, lítost, SVIT Gallery, Prague, 2018 Odrathek, musarc, London, 2018Objects of Desire, Support Systems, Design Museum, London, 2018 Four Words: Technology. Curated by Alan Dunn with Leeds Beckett University, Channel 4 Television, 2017 Echo, The Function Room, King's Cross, London, 2014Paradise, Milan Furniture Fair, Italy, 2012 Solo Performances: Aonyx And Drepan, The Minders Of The Warm by Fani Parali, Southwark Park Galleries, 2020 Repositorium by Nestor Pestana, Scrolling The Arcane, Planetarium, Porto, Portugal, 2020 The Terrace of Lungs by Fani Parali, Zabludowicz Collection, London, 2019 Ecstasies by Marguerite Humeau, Kunstverein, Hamburg, 2019 Angels like Buildings by Fani Parali, Assembly Point, London, 2019 The Wingspan Measurers, by&nbsp;Fani Parali, Royal Academy of Arts, London, 2017 Oral Rinse, with Harry Bix, Crypt Gallery, Euston, London, 2017 All Silent But For The Broadcast, RCA, London, 2014 And You Were Wonderful On Stage (group performance) by Cally Spooner, Tate Britain, London, 2014 Click here for full CV&nbsp; SELECTED PRESENTATIONS &amp; PUBLICATIONS Queering AI: Voice, Profiling and Resistance, Watershed, Bristol Radycal Lab, Contra Manobrassss, Pedreira, Porto, Portugal AI: Who’s Looking After Me?, Friday Lates: Machine Mythologies, Science Gallery, LondonBeyond the Every Day: Vocal Potential in AI Mediated Communication, Sounding Out! Blog, Online Articulating Data Symposium, Edinburgh Where Speech Meets Sound, as part of Hausmusik Kollektiv, edited by Claudia Molitor, Uniformbooks, 2021 Speculative Listening, Auraldiversities: Future Listening. Goldsmiths University, 2021 Looking Back and Looking Forward, Sound Practise and Research, City, University of London, 2021 Giving Voice to Synthetic Sonics, with Anja Borowicz-Richardson, RCA, 2021 Phonocentric Adventures in Design Fiction, Art/Thought/Sound: Knowing Through Sound, School of Arts, UCP, Porto, Portugal, 2021 Beyond Words, MRes, School of Communication, RCA, 2020 Human-Data Interaction workshop on Music and AI, Somerset House, London, 2019The (Un)Sound Barrier Symposium, Royal College of Art, London, 2019 Acoustic Ecology of an AI System, SPARC (Sound Practise and Research at City, University of London) Symposium, London, 2019Very Very Far Away Radio, Sympoiesis, DIY Space for London, 2017 Sonic Fiction-Sonic Futures, Listening After Pauline Oliveros, Centre for Audio Visual Experimentation, Leeds, 2017 Sound Cultures in the Modern Age, Queen Mary University, London, 2017Sounding Out the Anthropocene Conference, Critical Media Lab, Basel, Switzerland, 2016 V&amp;A Digital Futures and SPACE present: The DeLuxe Edition, V&amp;A, London, 2016FutureFest, Nesta, London, 2015 Across the Sonic Border, Work &amp; Play: Economies of Music Conference, Music Department, Harvard University, America, 2015 https://speculativevoicing.co.uk/Index Thu, 28 Apr 2022 18:46:16 +0000 Speculative Voicing https://speculativevoicing.co.uk/Index https://speculativevoicing.co.uk/A-Voice-for-Radio Thu, 28 Apr 2022 16:15:54 +0000 Speculative Voicing https://speculativevoicing.co.uk/A-Voice-for-Radio A Voice for Radio <img width="1101" height="1405" width_o="1101" height_o="1405" data-src="https://freight.cargo.site/t/original/i/b8e3f7aeecc3f6cd4282f2947f2bc773b618c024fbb48eb32bde4af4dfefe91e/the-voder_1101.jpeg" data-mid="141175436" border="0" src="https://freight.cargo.site/w/1000/i/b8e3f7aeecc3f6cd4282f2947f2bc773b618c024fbb48eb32bde4af4dfefe91e/the-voder_1101.jpeg" /> 2017 &nbsp; &nbsp; &nbsp; &nbsp; A collaboration between myself and Dr Jacob McGuinn. By understanding voice as ‘material’, shaped and sculpted, both by the body and by technology: we are exploring how do we measure a ‘voice’ as a ‘sound’, or the point at which a ‘sound’ is recognisably a ‘voice’? We utilize radio as a medium to tell stories and share ideas sonically, aiming to contend with the ocularcentric forms we primarily use to interpret the world around us. This production was created for Co – at Supernormal Festival 2017. Also broadcast for Radiophrenia, Glasgow, Scotland and Riding the Wave _XX Files Pirate Radio, Nuit blanche, Montréal, Canada. <img width="1120" height="647" width_o="1120" height_o="647" data-src="https://freight.cargo.site/t/original/i/a9fc9fbe67639d8242fbefe7af21633114d4ea8177606e36191d3dd4023d59be/VoderSchem_1120.gif" data-mid="141436919" border="0" src="https://freight.cargo.site/w/1000/i/a9fc9fbe67639d8242fbefe7af21633114d4ea8177606e36191d3dd4023d59be/VoderSchem_1120.gif" /> https://speculativevoicing.co.uk/Across-The-Sonic-Border Thu, 28 Apr 2022 16:15:04 +0000 Speculative Voicing https://speculativevoicing.co.uk/Across-The-Sonic-Border Across the Sonic Border (Variations on 50Hz) <img width="2246" height="1497" width_o="2246" height_o="1497" data-src="https://freight.cargo.site/t/original/i/3788bcbecea34d467c1d19954a7f97427f0ef295127fe3b10218ded649731282/IMG_2234-again_2246.jpeg" data-mid="141076571" border="0" src="https://freight.cargo.site/w/1000/i/3788bcbecea34d467c1d19954a7f97427f0ef295127fe3b10218ded649731282/IMG_2234-again_2246.jpeg" /> 2014&nbsp; &nbsp; &nbsp; &nbsp; Speech helps define the way we experience reality. In this project Amina investigates where speech meets sound and then applies it to a design methodology, using vocal expression and performance as a medium, to explore how culture could diversify.In this scenario the UK has started to use speech analysis as a key assessment for gaining access to the country. In addition, electrical network frequency analysis is used in law, forensics and other aspects of culture to mark or conceptualise time, because of it’s ability to timestamp recordings. People have become hyper-aware of its hum.English is still the fundamental language but people have reacted to this situation by forming their own speech communities, creating sonic borders and allowing them distinct ways of life. Populations have diversified their language not in terms of words but in terms of sound, due to the tone (on and around 50Hz = G Sharp) of the pervasive electrical hum. <img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/7604e8bdd234fa4b71390cf1885bfb52bb50bdc35721f8b4d050b65a927414e6/IMG_2228_o.jpeg" data-mid="141076570" border="0" src="https://freight.cargo.site/w/1000/i/7604e8bdd234fa4b71390cf1885bfb52bb50bdc35721f8b4d050b65a927414e6/IMG_2228_o.jpeg" /> Presented as eight audio clips that can be listened to by inputing a headphone jack into a laser cut map, they can be listened to independently but also provide a linear or chronological narrative. Starting at the Dover border, in scene 1 the hum is loudest and most potent, gradually getting quieter through the scenes and having less influence, finally ending in scene 8 where there is no hum.Amina takes on the role of an outlaw speech therapist through her teaching people how to perform their vocal parts, giving them ability to code-switch to move across borders. <img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/385ca7566f5733254c0b285c863292c57deb42373fe0ee791c4caacf89cc0516/IMG_2191_o.jpeg" data-mid="141076569" border="0" src="https://freight.cargo.site/w/1000/i/385ca7566f5733254c0b285c863292c57deb42373fe0ee791c4caacf89cc0516/IMG_2191_o.jpeg" /> Scenes and brief description of audio:At the border - Vocal sound as cultural identityHiding from the hum - Vocal sound and use in upholding the lawBeing present - Vocal sound and preferential ideology of speaking presentlyDecisions council - Use of vocal sound to represent collective decision makingEvery Sunday 11am - Use of vocal sound to represent collective outlets of emotionMarket trading - Use of vocal sound for trading and barteringCode switching - Training of vocal sound to move across bordersUnaccompanied - Vocal sound to represent freedom from technological constraintsPress:Future Architecture Platform Performers:Amina Abbas-Nazari, Anna Lorenz, Ellie Bates, Hanna Rasmuson, James Sunderland, Kate Evans, Maja Rivic, Morley College Chamber Choir, Naama Schendar, Nana Dawson, Nick Coleman, Rodrigo Lebrun, Sarah Kent, Silje Gjertsen, Tom Pearson, Zoe South.Thanks to Sam Conran, Oliver Barter and James Swatton. https://speculativevoicing.co.uk/If-Objects-Could-Speak Thu, 28 Apr 2022 16:15:17 +0000 Speculative Voicing https://speculativevoicing.co.uk/If-Objects-Could-Speak If Objects Could Speak... <img width="750" height="503" width_o="750" height_o="503" data-src="https://freight.cargo.site/t/original/i/2a2aa823631edafa331781eb6723f2200217333f12e6e2d58e1dbf66974cf162/objects1_o.jpeg" data-mid="141075314" border="0" src="https://freight.cargo.site/w/750/i/2a2aa823631edafa331781eb6723f2200217333f12e6e2d58e1dbf66974cf162/objects1_o.jpeg" />2009&nbsp; &nbsp; &nbsp; &nbsp; Utilising radio frequency identification this device allows the narrative of our lives to be told through the objects we own and the memories associated with them. Memories about the objects and their owners can be recorded and played back via the device and then also updated as new memories are formed.This speculative device would allow us different ways of telling stories and cataloguing information about our family history and ourselves, to live on after we die, in the age of the internet of things.This project was exhibited at DesignersBlock, London Design Festival. <img width="750" height="503" width_o="750" height_o="503" data-src="https://freight.cargo.site/t/original/i/395d52e8918f60709c0c1e2a4b76228a5be2361c772857109f5891140b652dea/objects2_o.jpeg" data-mid="141075315" border="0" src="https://freight.cargo.site/w/750/i/395d52e8918f60709c0c1e2a4b76228a5be2361c772857109f5891140b652dea/objects2_o.jpeg" /> https://speculativevoicing.co.uk/Sonic-Fiction-Sonic-Futures Thu, 28 Apr 2022 16:16:31 +0000 Speculative Voicing https://speculativevoicing.co.uk/Sonic-Fiction-Sonic-Futures Sonic Fiction-Sonic Futures <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/48f76cc63b4fad2ad2af1de8e60760a4d41679e1f31d70e62d73da2e33301f33/21993151_10159254040870237_8429366833247784519_o_1600.jpeg" data-mid="141175572" border="0" src="https://freight.cargo.site/w/1000/i/48f76cc63b4fad2ad2af1de8e60760a4d41679e1f31d70e62d73da2e33301f33/21993151_10159254040870237_8429366833247784519_o_1600.jpeg" />2017 &nbsp; &nbsp; &nbsp; &nbsp; Science fiction tells stories of future or parallel worlds, often re-defined by new technologies; but what if we use sound as a medium to explore these concepts?Amina is researching emerging speech and sound technologies to understand their future implications on society and ways of life. By understanding the mechanics and components of voice it enables us to both reproduce it synthetically, via digital code, but also comprehend it as a material to be shaped and sculpted to create new expressive possibilities in vocal formation and communication.The stories we tell are limited to the capacity we have to describe them - through the language and linguistics we use. Amina is working to expand the space between speech and sound for the potential to tell new and unversed stories. Through trying to broaden our vocal capabilities and aural perception does it give us an opportunity to disperse metanarratives and give way for more diverse ways of living?Equally, by blurring the space between speech and sound and collapsing existing patterns of speech can we find the essence of voice? - Pure vocal sonic signals awaiting conscious rendering and realisation.This presentation will present past, present and future examples of Sonic Technology, particularly its implications on voice, and give examples of how we might extrapolate their potentials to create Sonic Fictions for creatively and collectively imagining our Sonic Futures. This presentation was created for Field Studies - Listening after Pauline Oliveros. https://speculativevoicing.co.uk/One-Voice-Performed-Many Thu, 28 Apr 2022 16:15:33 +0000 Speculative Voicing https://speculativevoicing.co.uk/One-Voice-Performed-Many One Voice Performed Many 2015 &nbsp; &nbsp; &nbsp; &nbsp; (An inquiry) Alexa and Siri give voice to tangible objects. But if an object has a voice what could it sound like? Who’s voice could it sound? How should we have to try to have a conversation with it? Maybe objects have never spoken because no one ever tried to converse with them? Perhaps humans just don’t have the capacity or language to understand objects? We use our voices to allow other people to be heard, can we use our voices to allow objects to be heard? Perhaps all objects in the future will have voices? Is it possible for objects to have perspective or even consciousness by having a voice? Originally produced at The Ventriloquist Summer School, Oslo, Norway. https://speculativevoicing.co.uk/Listening-Futures Thu, 28 Apr 2022 16:13:56 +0000 Speculative Voicing https://speculativevoicing.co.uk/Listening-Futures Listening Futures 2017 &nbsp; &nbsp; &nbsp; &nbsp; Performance presentation with Laptop, Ambient Electronic Noise, Telephone Pick-Up Coil and Pink Floyd. Please view full screen with headphones. Created for the Future of Money Design Award Video still <img width="2772" height="1590" width_o="2772" height_o="1590" data-src="https://freight.cargo.site/t/original/i/85ddbdd43133c748bc346c4ed37543466d5e3e49a4b3d583e80fa0743430fc8e/Screen-Shot-2022-04-29-at-17.26.18.png" data-mid="141176101" border="0" src="https://freight.cargo.site/w/1000/i/85ddbdd43133c748bc346c4ed37543466d5e3e49a4b3d583e80fa0743430fc8e/Screen-Shot-2022-04-29-at-17.26.18.png" /> Online: The Eaves https://speculativevoicing.co.uk/What-You-Will-Watch-and-Hear Thu, 28 Apr 2022 16:13:43 +0000 Speculative Voicing https://speculativevoicing.co.uk/What-You-Will-Watch-and-Hear What You Will Watch and Hear <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/bf6b57550db23f2a4ef1d387800163b2d24b91bbd74c56fcc1f6bf444df992ba/001_MG_3022_5000.jpeg" data-mid="141075499" border="0" src="https://freight.cargo.site/w/1000/i/bf6b57550db23f2a4ef1d387800163b2d24b91bbd74c56fcc1f6bf444df992ba/001_MG_3022_5000.jpeg" />2018, 2019 &amp; 2023&nbsp; &nbsp; &nbsp; &nbsp; For Musarc's 10th Anniversary.In this work I explore the choir as a method for modelling human ecological entanglement. As resonant beings can we tune to space, time, scales and matter, vastly different to our own? Phenomena such as climate change is so complex and massively distributed across space and time that perhaps it is beyond the grasp and understanding of the individual. Can we employ performance to collectively meditate on how to interpret these types of events?
Musarc and the audience come together to form different constituents of a Whole (much as a choir does), each voicing, performing and embodying a different perspective on which to watch and hear the same event.
What we will watch and hear is the unfolding interplay and imprinting of cause and effect, where the sum total of all the events inscribing themselves on each other forms a ‘history’. 
For this piece Amina took inspiration from Timothy Morton’s theories on ‘Hyperobjects’.This piece was created for and performed by Musarc Choir and the audience at Odrathek. Also performed at Le Marteau Sans Maître Concert, Whitechapel Bell Foundry, and at the Lisson Gallery as part of the exhibition ‘Matter as Actor’, for London Gallery Weekend.Press:The Wire Magazine Photos by: Yiannis KatsarisWith thanks to Alex Pugh <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/9b2ff36797c9dee5abb8ace9ca6e09ce28b21f6141bd2520d8edf9f11db6e19e/002_MG_7296.jpeg" data-mid="158792343" border="0" src="https://freight.cargo.site/w/1000/i/9b2ff36797c9dee5abb8ace9ca6e09ce28b21f6141bd2520d8edf9f11db6e19e/002_MG_7296.jpeg" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/8f20f7ed41b6e2c0c302b4c5738b7532d9d08e204d25ce92470d91f40867715a/001_MG_3000_5000.jpeg" data-mid="141075496" border="0" src="https://freight.cargo.site/w/1000/i/8f20f7ed41b6e2c0c302b4c5738b7532d9d08e204d25ce92470d91f40867715a/001_MG_3000_5000.jpeg" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/cb007b63158aa04054d186864495b94f1f34365a6c637fbcae44cb863626553c/001_MG_2957_5000.jpeg" data-mid="141075495" border="0" src="https://freight.cargo.site/w/1000/i/cb007b63158aa04054d186864495b94f1f34365a6c637fbcae44cb863626553c/001_MG_2957_5000.jpeg" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ae44655070c71098b5b3a8a708dafc5d8ae3fe661cd70014a377913efab39752/001_MG_3014_5000.jpeg" data-mid="141075497" border="0" src="https://freight.cargo.site/w/1000/i/ae44655070c71098b5b3a8a708dafc5d8ae3fe661cd70014a377913efab39752/001_MG_3014_5000.jpeg" />